Category
10 articles
Sunday morning has become a genre of its own, with UK selectors treating the come-down as a craft rather than an afterthought. We look at the low-BPM soul, ambient, dub and gentle oddities shaping 2026's slow-hours mixes, plus the rituals and rules behind them.
Before the first track lands, there is a quieter performance: the folder check, the emergency edit, the lucky cable. We look at the pre-set rituals UK DJs swear by and why the ten minutes before a set often say more about a selector than the drop does.
A single turntable, a stack of records and nowhere to hide. We look at why UK selectors are stripping their setups back to one deck, and why the results often say more than a perfectly blended two-hour set ever could.
Across the UK, a growing number of selectors are deliberately keeping their mixes unlisted, expiring links and sharing them only through private networks. It is not about gatekeeping for its own sake — it is about trust, context and the strange value of a set you have to be told about.
Bedroom-recorded mixes have become one of the UK’s most intimate DJ formats: one-take sessions, imperfect blends and modest setups that let the person behind the decks come through. We look at why listeners are trading club polish for home-recorded personality.
More UK promoters are writing 'vinyl only' into the contract and meaning it. We spoke to bookers, selectors and sound engineers about what that clause actually costs, how rooms respond, and whether the format can survive past the novelty.
Two selectors, one mixer and about four inches of elbow room — the B2B is the most exposing format in dance music. We look at how UK DJs negotiate tempo, mood and ego when the decks aren't strictly theirs, and why the smoothest handovers are the ones nobody notices.
Peak time gets the clips, the captions and the crowd shots. But the opening ninety minutes is where a selector's real character shows — and a growing wave of UK DJs are now releasing their warm-up sets in full. We look at the craft, the economics and three selectors who make restraint sound enormous.
A mix series is more than a tracklist. It is artwork, naming, pacing and a transition you can recognise in the dark. This feature looks at how UK selectors turn repeatable style choices into a brand — and why listeners clock the identity before the first beat drops.
Forget the endless banger relay. A growing crew of UK DJs are building mixes with characters, cliffhangers and proper endings. We talk to three selectors about the craft of the 60–90 minute story arc.